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8 January 1836 – 25 June 1912. Most renowned painters.

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Albrecht Durer
Emperor Charlemagne and Emperor Sigismund

ID: 52019

Albrecht Durer Emperor Charlemagne and Emperor Sigismund
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Albrecht Durer Emperor Charlemagne and Emperor Sigismund


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Albrecht Durer

b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.  Related Paintings of Albrecht Durer :. | Portrait of the Artist Holding a Thistle | Adoration of the Trinity | A Lobster | Martyrdom of the 10000 Christians | Portrait of an unknown man |
Related Artists:
Henry Ottmann
painted Nature morte aux fruits et a la fiasque de vin in 20th century French, 1877-1927
EYCK, Hubert van
Flemish Northern Renaissance Painter, ca.1370-1426
Cornelis Saftleven
(c. 1607, Gorinchem - 1 June 1681, Rotterdam) was a Dutch Golden Age painter He was born into a family of artists, and learned to paint from his father Herman, along with his brothers Abraham and Herman Saftleven the Younger. He lived for a time in Utrecht with his brother. Saftleven's subject matter covered various subjects, including genre works, portraits, beach scenes, and biblical and mythological themes. Some consider his images of Hell to be his most individual contribution to Dutch painting






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